Charlotte Strick’s new designs for the Bernard Malamud centenary. Image via FSG Work in Progress

• Here’s our Southern editor, John Jeremiah Sullivan, on the art of preservation—not in the sense of manly survivalism but in the sense of making jam. His essay was recently nominated for a James Beard Award.
• And here’s Charlotte Strick, our art editor, interviewed about her sharp new designs for the Bernard Malamud centenary.
• While we’re at it, Dailycontributor Caleb Crain has asked, “how much gay sex should a novel have?” (“The half answer, half protest that immediately springs to mind is, It depends. Many are the conditions that it depends upon.”)
• And Dailycontributor Willie Osterweil found that today’s sports movies have comparatively few feats of athleticism in them. “There’s a new breed of sports movie in town, one that does away with all that pesky team-building and ersatz democracy. These films celebrate the real heroes of sports, the real heroes of any workplace: the bosses.”
• The lost art of memorizing poetry: “Many of today’s prominent poets seem to be writing poems that actively resist memorization. Take John Ashbery, for example … As I walked uphill, repeating Ashbery’s lines to myself, I found them as slippery as an eel.”
• Why do we tend to place painful episodes in parentheses? A variety of literature has “windows in a wall of verse or prose that suddenly open on an expanse of personal pain. Masquerading as mere asides, they might hold more punch than parentheses are usually expected to hold, more even than the surrounding sentences, and have all the more impact for their disguise as throwaways.”